Playfully welcoming new connections between foreign ‘things’, Beattie’s practice encourages a sense of curiosity and exploration in the act of displacing quotidian objects. Assembled from a variety of everyday materials the work attempts to provide a framework for assessing our daily surroundings. The interactions between object, space and viewer create a dialogue or wider system in which all elements have a role to play. This process of engagement can be seen as a search for a tangible present through the intermediary moments where physics, philosophy, technology and nature collide.
David Beattie is an artist who lives and works in Dublin, Ireland. He has received a number of Arts Council bursaries, most recently 2015 and was awarded the Harpo Foundation Award in 2010. His work is in a number of public and private collections and most recently was a recipient of the Hennessy Art Fund for IMMA collection, 2016. Recent solo exhibitions include CCA Derry/Londonderry (2017) Temple Bar Gallery and Studios (2011), The Mattress Factory Art Museum, Pittsburgh and Mercer Union Centre for Contemporary Visual Art, Toronto, Canada (both 2010). Beattie has been included in numerous group exhibitions including As above, so below, (2017), In the Line of Beauty, (2013) both at the Irish Museum of Modern Art, Dublin, O Brave New World, Rubicon Projects, Brussels (2013), All Humans Do, The Model Sligo and Whitebox, New York (2012), Holding Together at the Douglas Hyde Gallery, Dublin (2010), La Part des Choses, Mains d’Oeuvres, Paris, and in Quiet Revolution, Hayward Touring, UK (2009).